Danzig
is an enigma of colossal proportions.
The former front man of influential punk/hard rock bands The Misfits
and Samhain has over time found himself both admired and vilified by the
metal community. Many of the reasons for this polarization of thought seem
to center on topics that are ostensibly not music related. For example,
many music fans simply don’t like the dark, muscle-bound image emanating
from the diminuitive singer. For those, this summer’s altercation with the
lead vocalist of Arizona’s North Side Kings was an amusing aside which
only served to fuel the perception that Glenn is all image and no
substance. The video taken showing Danzig pushing the corpulent singer and
ending with Glenn writhing on the floor seems almost surreal--even upon
multiple viewings. Anyone who has ever seen a guy get knocked out in real
life knows that it’s generally the result of a quick, concise punch that
connects cleanly. This fight didn’t resemble that in any way, and if
Danzig hadn’t been on the receiving end of the altercation, I would have
thought it was completely fake. It just didn’t appear possible that a
person could get knocked out by a roundhouse appearing that completely
wild and seemingly ill advised. Besides, if you have a guy as chunky as
the NSK’s lead singer doubtlessly is, chances are that not only would that
punch be slow, but that his fingers would have to possess a type of built
in padding as well--sort of like a fleshy boxing glove. In the end, this
must not have helped Danzig though…in fact, none of this exactly helped
him as the Internet went wild with accounts of the “brutal beating” that
had occurred.
The reality is that sometimes persona—a series of incidents, or even
one particular event can overshadow an individual’s legacy regardless of
the body of work that has been produced. If that ultimately happens with
Danzig, it would be an injustice in certain respects since this singer has
certainly influenced a wide range of musicians who are still making music
today. His current offering, Circle of Snakes, is said to be his
best work since the fourth Danzig record, and fans turned off by the
techno experimentation of the blackacidevil will be glad to know that
Danzig is back and making the type of music that rockers loved about his
solo debut. Part of this resurgence may be due at least in part is the
addition of Tommy Victor of Prong fame making his presence felt on guitar,
which of course means that the axework here is stellar and distinctive.
Even though Glenn was supposed to be through with touring as the ‘Blackest
of the Black’ Tour reached its conclusion last year, a management shake up
has resulted in the singer agreeing to a new string of dates that will
keep him on the road through the end of next month at which point in time
he may or may not be done touring for good. If that ends up being true,
there are a variety of projects Danzig can focus on in the near future as
he is looking to produce a comic based movie, promote the upcoming
Black Aria 2 as well as possibly create a blues-based rock record
with Jerry Cantrell.
Regardless of what happens from here on out, here’s hoping the coming
tour rocks and that Danzig’s future projects are sound. In any case, after
watching that video about eighty-nine times, I think I’m always gonna look
at fat people differently from here on in—maybe more suspiciously. As a
matter of fact, I’ve decided that it’s advisable to always carry a spare
Twinkie in case of an altercation with one of these hostile tubbies—that
way if that situation ever does arise, I can simply offer the chunkster a
snack cake and a hug—problem solved with none of that nasty Internet
banter and video tape.
KNAC.COM: When did you first decide that you
were never going to be writing songs about the shiny, happy side of life?
DANZIG: Who says I’m not?
[Laughs] It just depends on what your outlook on society is. Sometimes
when I hear that stuff, it shows a bias like, “We are the happy people,
and you’re not the happy people.” I don’t necessarily know that that’s
true. I look and see a lot of those people, and they’re pretty miserable.
If you’re asking though about when I decided to write this type of stuff
though, it was early on—one of my favorite bands as a kid was Black
Sabbath, so there you go.
KNAC.COM: Yet it seems like the American Dream
is packaged in pretty much one, colorful box. Your music doesn’t seem to
mesh with that perception.
DANZIG:
It is definitely a conscious choice on my part to write the
type of material that I do. It’s also a subconscious choice in that it is
simply what I want to talk about and write about. I don’t think I’m always
writing about that type of thing. As far as the American Dream goes, I
think that is what you make it. Don’t limit yourself. That is always what
I try to impart to people who are interested in what I have to say. If you
limit yourself, you are already limiting your options. Never limit your
options or your dreams. Fuck everybody else.
KNAC.COM: There is a song on Circle of
Snakes entitled “Beware of Her” where the female is actually the
empowered party and doesn’t seem like the type of misogynistic fodder than
metal artists get accused of producing.
DANZIG: I don’t think I’ve ever done that type of
material, but it also depends on who your accuser is too. If someone
doesn’t understand something due to lack of intelligence, is it up to you
to defend yourself? I don’t think so. Over the years, metal has been
called this or that. Danzig, of course, has been one of the bands
victimized by MTV saying, “We’re not going to play this because it’s too
Satanic or it’s too this or too that.” Then, you turn on their channel,
and there is this hip hop video with a girl who has her rear end in the
camera just shaking it while they are saying the most crazy, ill,
misogynistic stuff you’ve ever heard in your life. That’s fine for MTV,
but it’s bullshit—it’s a double standard, and it’s a bias. There are
people out there who just hate metal. It could be the best metal album in
the world, but there would still be people out there who would go to
review it and go, “This sucks—it’s metal. I hate metal.” If you’re in a
metal band which I happen to be in, you’re gonna get slammed. Some people
just can’t stand metal, and they can’t stand that it’s still alive and
prospering now more than it has even in the last few years. They hate it.
It is killing them. It’s like they just hate for it to be successful. They
just want to destroy it by making sound like it’s ridiculous or stupid.
It’s only because they don’t get it or they can’t get it or they never
will get it. These guys would never go to a metal show because they would
probably figure they would end up getting hurt or something. Whatever
their reasoning is, it isn’t making any difference because metal is back
stronger than ever.
KNAC.COM: A great example of that would have to
concern the recent murder of Dimebag. In that instance, you not only had
your regular metal press covering the tragedy, but you also had the
mainstream writers as well. More than once, it was alluded to that
musicians who dabble in this type of music should expect violence and that
in some way the shooting was justified because of it.
DANZIG: That’s
ridiculous. It’s funny though that you mention that the mainstream press
covered it, but Rolling Stone hardly mentioned it at all. There was
just a little blurb in there, and that was it. That just lets you know
where Rolling Stone is at. That’s another one of those magazines
that just hates metal. However you feel about Dimebag, this is one of the
most influential metal guitar players of the ‘90s. I was just talking to
someone that I am hiring to bring on the tour who said that when he was at
the funeral that Eddie Van Halen came and put his striped guitar in the
coffin. That’s a pretty big deal. The shooting was totally unnecessary,
and it was retarded that it even happened. It was fucked up. That’s what
I’m saying though is that there is a bias among many of the mainstream
music magazines that just don’t want to see metal survive. Rolling
Stone never even covered punk bands—it was like it was the worst shit
in the world.
KNAC.COM: Yeah, but now everyone that works
there has a Ramones t-shirt on.
DANZIG: Yeah, but really annoys me though is that
they’ll turn around and put Green Day on their cover which has stolen
riffs from The Misfits to the Ramones to you name it. It’s bullshit.
KNAC.COM: Why do you think metal would be such a
big deal though that people would want to shut it out?
DANZIG: Metal is still
pretty rebellious and kind of a middle America “fuck you, let’s go and
have a good time.” It can’t be controlled.
KNAC.COM: Is it also a class issue or an issue
of education as well? Metalheads are generally perceived as mid to
low-level economically and poorly versed scholastically, right?
DANZIG: Of course. There
is that perception, but it’s retarded because they are probably more
well-versed than most. You’d be surprised the type of people who are into
metal when you see them. Sometimes I’m even surprised, but it’s cool.
That’s the reason it’s still around.
KNAC.COM: Is it difficult for you to keep any
air of mystery at all with the advent of the Internet and the way certain
events such as the one this summer have been portrayed ceaselessly in
cyberspace?
DANZIG:
Usually, most of the stuff spoken about me is bullshit anyway,
and that was true even before the Internet. There is nothing you can do
about it except try to live your life and enjoy it. If people want to say
fucked up shit about you, then fuck it, just let it roll.
KNAC.COM: Did it take you a lot of time to come
to that realization? I’m sure at first that you may have wanted to take a
swing at anyone who had anything negative to say.
DANZIG: You know, you get used to it. That is
especially true of when I was in punk bands. Some people would just say
the worst shit about punk bands. You get used to it. You have to realize
that it is just one person’s opinion, and if you are doing it for that one
person, then you’re doing it for the wrong reasons anyway. I play the type
of music that I do because that is what I like. I have just been lucky and
fortunate enough to have people who are interested in it and what I’m
singing about. A lot of people ask me if I have any words of wisdom for
people just starting out, and what I would tell them is to just stick to
their guns. They also need to be objective enough to realize when they’ve
written a shitty song to throw it in the garbage rather than throwing it
out there hoping that other people won’t think it’s shitty. If you know
it’s shitty, it’s shitty. Be objective and stick to your guns and just
know what you want to do.
KNAC.COM: When did you realize that there were
people interested in what you had to say? What were your expectations
first starting out?
DANZIG:
Uh, when we first started out… our only expectation was to fuck
shit up. [Laughs] I just wanted to write crazy music that said something.
I hated all the hippie bands—the Rolling Stone bands, basically.
KNAC.COM: You weren’t rockin’ Kansas?
DANZIG: No, it was like a
mission. Turn up the amps real loud—go crazy and fuck shit up. You also
want to say something though at the same time. It’s sort of still like
that in many ways for me. I definitely want people to get something out of
the music, and I want them to get something out of the live show when they
come to that. I just want them to walk away exhausted because they had a
great fuckin’ time.
KNAC.COM: You want them to have an experience,
then?
DANZIG: Exactly.
Not like me just performing a bunch of songs and getting on the bus and
going home. I want them either fucking drained or so full of energy that
they are out of their fucking minds. I want them to have the best time of
their lives.
KNAC.COM: With that being your expectation for
them, how do you end up feeling? If you want a Danzig show to be a
singular event, how do you keep the festivities new for you?
DANZIG: It’s always
different on stage. I’m totally drained when I’m finished. I am exhausted
because I am still a music fan. I’m doing what I hope they are doing which
is just going out of my fucking mind.
KNAC.COM: Does that mean you’re just on shutdown
mode afterwards?
DANZIG:
Yeah, pretty much. Anyone who has ever been to a Danzig show
knows that it is crazy and that there is a lot of energy there.
KNAC.COM: Is that why you believe Danzig fans
may have a closer connection to the music than say Maroon 5 fans have? Is
there something deeper going on?
DANZIG: I would hope so. If they do, that’s cool.
KNAC.COM: Do you put more pressure on yourself
because that is your expectation?
DANZIG: No, I just go out and do what I do. I
enjoy it, and hopefully everyone that goes out to the show will enjoy it
too.
KNAC.COM: Are you going out on these current
dates though with the mindset that these will be your last shows?
DANZIG: Yeah, the only
reason we are doing this ‘Circle of Snakes’ tour is because I pushed my
‘Blackest of the Black’ festival back until next September. I fired my
management and hired some new management. If we didn’t do this, there
would have been no tour for the new record, so I agreed to do a month here
in America. Really that is the only reason I’m doing it. I am in the
middle of a bunch of stuff right now.
KNAC.COM: Is it true that the recordings for
Black Aria 2 are completely finished?
DANZIG: Yeah, they’re done.
KNAC.COM: That music has been said to be
represent the sounds of Satan falling from heaven. Do you consider that to
be the quintessential story of good versus evil or is the devil just an
entity that many can identify with?
DANZIG: I don’t see it as good versus evil.
Whether or not the devil is really good or evil is something that we don’t
really know. Again, you have to really buy into the theology of it. The
way I look at it is that that particular role whether it be in Milton’s
Paradise Lost or the Bible is that of sympathy. Basically Satan and his
army were fighting against the evil. The were standing up to something
they thought of as corrupt, and that’s how I see it. When someone says,
“You’re gonna do it this way, and you’re not gonna ask questions.” I’m
just like, “Fuck you.” That’s how I see it. That’s pretty much how it is
said without reading anything into it. I can really relate to that because
it sounds like my life. It sounds like the type of life that many can
identify with as well. Obviously, some people don’t want to hear that, but
a lot of people especially in America do identify with that. It almost
sounds like government and people to me.
KNAC.COM: That hasn’t gotten any better either,
has it? I mean, people can talk all they want about the McCarthyism of the
‘50s, but we have our own brand right now.
DANZIG: You know, I had a situation where Bill
Clinton sent the F.B.I. after me. They wanted me to turn myself in.
KNAC.COM: Because you are a threat to society?
DANZIG: I guess they
thought I was a threat to Bill Clinton or something. It’s like, “Go fuck
yourself—come and get me. Talk to my lawyer. Let’s go to court on this.”
KNAC.COM: Okay. Turn yourself in for what
though?
DANZIG: Whatever,
I don’t even know. Supposedly there are supposed to be like five files on
me, and two of them can only be accessed by upper echelon government
officials.
KNAC.COM: Doesn’t that seem like a horrifying
misuse of resources to you?
DANZIG:
I think it’s funny. People always ask me how I can find it
funny, and the reason why is because it’s fucking stupid. There are people
flying planes into buildings, and they’re worried about me? A lot of
people in power just aren’t that learned. Then, you have people like
Rolling Stone who don’t know what in the fuck they are talking
about—they certainly don’t know metal or music. That would be like someone
being called into court to testify about something, even though they
aren’t an expert on the subject. Rolling Stone doesn’t know
anything about metal, yet they’ll review a metal record. Usually, if they
do review it, they just take the person rather than discussing the music.
KNAC.COM: Yeah, but you know you’re into Nelly
too!
DANZIG: Yeah,
whatever. [Laughs]
KNAC.COM: How significant was it for you
personally to pen a song (“13”) that was performed by Johnny Cash? I know
you were both on the same label at the time.
DANZIG: Well, when they came and asked me if I
knew who Johnny Cash was, I was like, “Fuck yeah, of course.” Then, they
asked if I would consider writing a song for him because he heard that I
had written one for Roy Orbison. I wrote it in about fifteen minutes, and
for me, it was just about my perception of him. You know, who he was and
what he represents—sort of his legend. I just went down and showed him the
song, and he loved it. I taught it to him there, and we played it a couple
of times. A couple to me is like five, but it worked out really good.
KNAC.COM: Were you always cognizant of his
influence on music?
DANZIG:
Oh yeah, when I was a kid, my dad was a Marine and used to
listen to Johnny Cash and all that stuff. One of my favorite songs is
“Ring of Fire.”
KNAC.COM: His legacy and influence lives because
of the authenticity of the emotion present in his work, don’t you
think?
DANZIG: It’s one of
those things where if you write from your heart, it should stand the test
of time. I think that could be why a lot of people caught on to Johnny
Cash later on too.
KNAC.COM: Do you think many people have
gravitated towards older music because there isn’t much of the authentic
article being offered these days? Record companies aren’t paying to
cultivate careers over the long term, right?
DANZIG: I see more people writing to a formula.
It definitely isn’t the norm for people to write about what impacts them.
Rap and hip hop today is just basically based on money--who has more gold
or cars or that type of thing. That is even truer today than it was years
ago. At least they used to sort of be singing about something that was
important to them, but now it’s just about money. The labels are like that
too, and they have been that way about the nu metal which I am so glad is
dead. All that was just about the record deal and making money. I’m just
glad it’s gone. Those bands all became pawns of the record label. It was
just so obvious because every song was the same--it was all the same
formula. Eventually, they just started putting bands together to create
product. There was a bald guy, a fat guy--you know what I mean?
KNAC.COM: The guy with the baseball cap--
DANZIG: Yeah, yeah. They
were all dancing around on the stage in all the same way. It was almost
like metal aerobics or something.
KNAC.COM: Do you also think that amidst all the
commercial success that the genre experienced that those bands didn’t give
proper respect to those who came before?
DANZIG: That’s for sure. I’m happy as fuck that
it’s over. Everyone that I’ve talked to feels the same way. It was really
like a form of music that only twelve or thirteen year olds were buying.
It’s that much cooler now for me to see kids and the rest of those guys
tuning that music out now and coming to our shows. They just seem to be
discovering real music for the first time.
KNAC.COM: Don’t you think that the lack of
quality music coming from the popular sector is contributing the upswing
metal is seeing among the youth?
DANZIG: Yeah, I think we also went through a
phase with discos and raves and things like that. On the last tour people
would come up and say how great the show was and all that. Then, they
would go on to say that it was their first rock show. First rock show?
They’re like “I used to go to raves! Now I go to rock shows!” Now they are
actually discovering real music that is played live for the first time.
KNAC.COM: So you’re saying that fans don’t have
to suck various drugs from balloons to enjoy a Danzig
show?
DANZIG: Yeah,
exactly! [Laughs] It is cool though in its own way.
KNAC.COM: Will you always record if this really
is the end of the live performing for you?
DANZIG: Yeah, I’ll always record. Jerry Cantrell
and I are talking still about doing this blues record which is cool.
Hopefully either we can make the time to do it or the managers can get
together and block out some time for us to work on this.
KNAC.COM: Are you looking forward to that just
from the standpoint of a new collaboration?
DANZIG: Yeah, but there has always been a blues
influence in my stuff. I think I’ve been pretty upfront about that. I got
to work with Jerry a little on Danzig 5 when he came in to do some
leads for like three songs. It’s going to definitely be a bluesy record. I
don’t think it is going to be a band either. I think it is just going to
be him and me.
KNAC.COM: Don’t you think any time a blues
influence is mixed effectively in rock that it lends a more timeless
quality to the music?
DANZIG:
That’s kind of been something I’ve wanted to achieve throughout
my career. I’ve always wanted to create music that people would want to
pick up years down the road. So far, I’ve been pretty fortunate with that
with both the Misfits and Samhain as well as the Danzig stuff. I’m pretty
happy that people want to pick that stuff up years down the road. That’s
what is satisfying to me.
